ISLE Knob/Hook Small

Regular price $139.00 CAD
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Inspired by pure geometry and softened by the hand, the ISLE Knob/Hook brings a painterly sensibility to a functional form. Its surface texture evokes the feeling of oil paint still wet—thick strokes blending colour and line, reminiscent of Monet’s water lilies.

Delicate yet grounded, it adds a quiet, expressive rhythm to cabinets or walls. Install vertically or horizontally, alone or paired with the ISLE Knob/Hook Medium, for a look that’s uniquely yours.

Sculptural, tactile, and versatile, it adds a considered touch of artistry wherever it lives. Cast in small batches from solid metal and hand-finished in a range of tonal finishes.

See full ISLE Series here.

Lead times are 1-2 weeks to ship if in stock, otherwise 8-10 weeks for custom or made-to-order works. Please contact us for more information.

DIMENSIONS →
1" W x 1" H x 2" D

MATERIALS →
Cast from solid bronze and brass and finished by hand in a small, family-run foundry.

DETAILS →
ISLE Knob/Hook Small Spec Sheet (coming soon)

Echoes of Monet

Drawing from the fluid, masterful strokes of Monet’s Water Lilies, this piece evokes oil paint still wet on canvas—where colours blur, overlap, and dissolve into one another. Taking cues from fresh, wet brushstrokes, it creates shifting fields of colour and light, capturing a moment in flux where texture and tone blend before settling, alive with impression.

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Main Image 1

Details Les Agapanthus Claude Monet, c. 1914 Monet: In the Time of the Water Lilies The Musée Marmottan Monet Collections Published 2012

Main Image 2

Monet Water Lilies | Paris Musée de l'Orangerie. Source unknown.

Main Image 3

Details Nymphéas, Effet du Soir Claude Monet, c. 1897 Monet: In the Time of the Water Lilies The Musée Marmottan Monet Collections Published 2012

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Product Image

Impression in Metal

Impressionism was a movement defined by spontaneity, light, and the transient rhythms of modern life. Inspired by the painters who worked en plein air, responding quickly to changes in atmosphere and mood, this object holds the same impulse: to honour how things feel, not just how they look.

Impressionist works were often smaller in scale, intimate in tone, and made to delight the eye without overwhelming it. They sought not realism, but perception depicting moments caught in passing, rendered with softness and instinct.

In this spirit, the ISLE Series plays on the texture of oil paints—layered, shifting, and expressive.